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Abstract: Culture is the soul of a country and a nation.Culture invigorates the country, and culture strengthens the nation.Without a high degree of cultural confidence, without the prosperity of culture, there will be no great rejuvenation of the Chinese nation.Culture is the backbone and soul of a nation. It casts the heart and character of a nation and a nation. Only with cultural confidence can a nation stand in the forest of nations in the world.Only when the people have faith can a country have strength and a nation have hope.Cultural confidence is a crucial factor in achieving these goals.
Wang Yin ,no. : Knot, marble, zhejiang hangzhou, oracle calligraphy house state-level intangible founder, national senior calligraphy masters, the Hong Kong federation of calligrapher's association, vice-chairman of the national painting and calligraphy art committee, vice chairman of the Chinese ambassador li artist, deputy director of the Confucius gallery and a visiting professor, director of Chinese couplet to learn calligraphy art research institute, Vice chairman of the Council of the Chinese Couplet Association "The Quintessence of China" poetry research special issue, deputy director of the Institute of Science and Technology Management of the Chinese Academy of Management Science, member of the New literary group calligraphers and painters working Committee of the Chinese Association of Calligraphers and painters and the specially invited calligrapher, designer of "Wang Yin oracle calligraphy works database" on zike.com, His calligraphy works have been included in calligraphy Daily, Chinese Fine Arts and Art Leaders - Fan Dian 'an/Wang Yin Tribute the 100th anniversary of the ", "the character of Chinese art scene model Wang Yin", "al - ink art into campus inheriting classic contemporary famous Wang Yin collection", "the art scene, giant colors, spanning the" contemporary painting and calligraphy masters ", the most important works of the People's Republic of China, China magazine issue "a generation of master", published by cflacpc giants in one hundred, He was named "People's artist of merit" by China magazine, and his calligraphy works on oracle bones were collected by Anyang Yinxu Museum and National Museum of China.
I have been interested in Chinese traditional culture, especially calligraphy since I was a child. I learned calligraphy from Lou Haozhi and Wang Yongjiang, Chinese painting from He Shuifa and Han Lu, Guqin from Zheng Yunfei, Buddhism from Dan Zhenrongbu, aesthetics and philosophy from Wu Changjian (as he is). Learn calligraphy from Yan Kai, and xi Erwang, Mi Fu, Huang Tingjian, Huai Su, Ba and other calligraphic masters of various times, and then focus on Stone Drum wen, SAN Shi Pan, Qin slips, silk, Han Printing and so on, is committed to the study and research of oracle calligraphy. Calligraphy works are pleasing to the eye, vigorous and dignified, ancient and simple, vivid, elegant and strict, and the lines of calligraphy are varied and varied.
Agreed by China Industrial Cooperation Association and leading experts of hundred Media Organizing Committee:
Ms. Wang Yin finally stands out as a new star in The Chinese art circle with her unique strength, style and strength. She is the glory of the Chinese art circle. Each of her masterpieces reflects the charm of artists' calligraphy and painting in the new era and on the new journey, shows the charm of masters' strokes and ink, shapes the brilliant image of China, and shows the most influential and innovative art masterpieces in contemporary China to readers, presenting a brilliant art festival for the majority of readers.
Comments by Teacher Quan Xijun:
Ms Wang Yin's seal script point painting is well-propored, with ancient methods. The starting and closing strokes are completed by the center. The lines are smooth and natural, the strokes are smooth and vigorous, and the structure is dignified and rigorous. The whole looks graceful in the stability, the changes of the fangyuan hidden dew are very subtle, the middle line is very stretch, slender arc must fold every turn, dignified and wide, very visual impact.
Comments by Shan Guoqiang, Pan Shenliang and Lv Changsheng on Wang Yin's Calligraphy "Chasing deer" on Oracle Bone Script:
The oracle-bone inscriptions "Chasing deer" are naturally shaped on the structure, showing flexibility, vividness and diversity. Its shape is slanting and dense, dynamic and static ups and downs, in the flexible and free, intricate changes, but also appears balanced, symmetrical and stable. Not only can reflect the arbitrary creation of emotion, but also reasonable and natural, without carving marks. Its rules and methods have the effect of natural integration, penetrating the unique charm of Oracle bones. Vertical and horizontal change according to its potential because of its shape. Its virtual reality, frank and plain artistic effect, very aesthetic and collection value.
Oracle bone script calligraphy: Phoenix
Calligraphy works of Oracle Bone Script: Chasing deer
Calligraphy works on Oracle Bone script: Heavenly horse and clouds
Oracle Bone Script calligraphy works: Wind and Japanese Beauty
Calligraphy works on Oracle Bone Inscriptions: Renounce oneself and return courtesy
Calligraphy works of Oracle Bone Script: Grain is plentiful
Oracle calligraphy works: thousands of merchants gathered
Calligraphy works on oracle bone inscriptions: extending in all directions
Oracle bone script calligraphy works: each day
Calligraphy work of Oracle Bone Script: Concentric heart with white head
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