Overseas media exhibition of Chinese Artists - Du Chunfu

Abstract: culture is the soul of a country and a nation. Culture prospers the country and culture is strong. Without a high degree of cultural self-confidence and cultural prosperity, there will be no great rejuvenation of the Chinese nation. Culture is the backbone and soul of a nation. It has cast the soul and character of a nation and a nation. Only with cultural self-confidence can a nation stand tall among the nations of the world. Only when the people have faith, can a country have strength and a nation have hope. Cultural self-confidence is the key factor to achieve these goals. This time, the recommended reports of overseas official authoritative media recommended powerful artists to the world, introduced Chinese excellent art to the world, influenced the world, promoted cultural exchanges between the East and the west, and demonstrated the self-confidence of Chinese outstanding artists in this era to the world

Du Chunfu, male, born in February 1938 in Feicheng, Shandong Province, member of the Communist Party of China, associate professor, graduated from the Chinese Department of Normal University. He is now a director of the Chinese Calligraphers and Painters Association, a member of the Joint Committee of Chinese literature and art, vice chairman of the Chinese Sinology society, a member of the Calligraphy Research Association of the Chinese couplets society, executive vice chairman of the Art Committee of Xinhua art network, a member of the working committee of new literary and artistic calligraphers and painters of the Chinese Calligraphers and Painters Association, and a member of the Calligraphers Association of central state organs, After strict deliberation by the art development center of the central Ministry of culture and the Runge Evaluation Center for the title of Chinese calligraphy and painting, according to the relevant art value evaluation standards and with reference to the current calligraphy and painting market, his calligraphy and painting art title is China: a famous contemporary calligrapher.

He loved literature, calligraphy and painting since childhood. In the 1950s, he studied with Zhang maocai and heibolong, who were masters of calligraphy and painting, and was instructed by Guan Yousheng and Liu Lusheng. Over the past few decades, he has been writing continuously, facing the inscriptions of famous calligraphers of all dynasties, and has been deeply nourished by the excellent traditional Chinese culture. Calligraphy, painting and poetry works are often published in various national professional newspapers and periodicals, incorporated into national exhibitions, won more than 50 awards, published personal series or compiled more than 40 calligraphy and painting classics, and calligraphy works are engraved on Chinese porcelain or handicraft jade buttons as national gifts to friends and dignitaries at home and abroad. In view of this, he was awarded the lifetime honorary award of "Lanting arts and crafts"; "Virtuous and artistic artist"; Honorary titles such as "national cultural inheritance and innovation contribution award" and "cultural image ambassador of a big country". His resume and deeds were compiled into the talent pool of Chinese Sinology experts, the grand ceremony of Chinese Sinology researchers and China's new quintessence network.

Mr. Quan Xijun, a famous calligrapher, commented: "the cursive script is standardized, the composition is harmonious and appropriate."

Cui Zhi, a critic of calligraphy and painting, commented on him: "this official script is stable and clumsy, intermittent and present, with an ancient style."

Fu Jingsheng's Fang family commented: "the stippling is excellent, the Qi pulse is smooth, and the pen is fine and ink is wonderful. There is a calm and quiet state when galloping freely. He still adheres to the pen method of the center, which is very flying and smooth, with abundant bones and meat, and no sense of carving. It is a good creative work with unique ingenuity."

Comments by famous experts of Kyushu art and investment magazine: Mr. Du Chunfu's calligraphy layout is smooth and even, with full and vivid body and vivid charm. Yes

"Form", "spirit", "Qi", "Rhyme" and "reason" are both elegant and win both form and rhyme. His writing is smooth, natural and clean, from its decades

The created calligraphy works reflect the artistic beauty very prominently. The breath and style of calligraphy are the expression of emotion and realm, and achieve perfect sublimation in their own calligraphy art form.

The expert group of the mengmo Culture Review Committee in Hangzhou, China commented that the works created by Mr. Du Chunfu have a stable and dignified structure, smooth and natural pen and ink. From the perspective of pen operation, ink use and composition, they are flexible but not messy, rich and full lines, and combine hardness and softness, showing a skilled artistic foundation. The vigorous and vigorous writing style fully reflects your quality and unremitting pursuit of art. It presents a kind of refinement in wildness, calmness in speed, restraint in sound, and a charm like truth and illusion, which is flexible without losing a deep realm. Moreover, he is good at absorbing predecessors' experience and artistic essence, and never fails to innovate in the past. It has both the charm of traditional calligraphy and the strong artistic features of the times. The work has elegant tone, solemn style, rich sense of nationality, times and history, truly achieves the unity of ideology, artistry and appreciation, shows its unique artistic style and has a great style.

Mr. Shi Feng, a famous contemporary calligraphy and painting critic, commented: "Mr. Du Chunfu, a famous contemporary calligrapher, has long known contemporary calligraphy, far away from tradition and entered" modern calligraphy " Therefore, he used his own excellence to repair stele calligraphy and made contributions to the traditional persistence. Rio Tinto's calligraphy practice is the right way. He learned from the ancient times, took the rhyme of the Jin Dynasty, the method of the Tang Dynasty and the meaning of the Song Dynasty, and practiced all the sages' Dharma calligraphy of previous dynasties, becoming a model figure of authentic calligraphy. This is not only an important reason for his calligraphy works to win gold and silver in various calligraphy exhibitions, but also his personal high-grade calligraphy exhibition in the calligraphy world From this point of view, Mr. Du Chunfu, who practiced ancient methods, has achieved calligraphy attainments that are not only his personal reputation, but also the strength of the calligraphy world that is the source of the revival of calligraphy culture. "