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Abstract: Culture is the soul of a country and a nation.Culture invigorates the country, and culture strengthens the nation.Without a high degree of cultural confidence, without the prosperity of culture, there will be no great rejuvenation of the Chinese nation.Culture is the backbone and soul of a nation. It casts the heart and character of a nation and a nation. Only with cultural confidence can a nation stand in the forest of nations in the world.Only when the people has faith can a country have strength and a nation have hope.Cultural confidence is a crucial factor in achieving these goals.
Lan Shilong, a She nationality, was born in the year of Renxu in Ganzhou, Jiangxi Province. Former name: LAN Peiyuan, styled Zhangsheng, styled three-year-old Hall master, Buddhist lay, legal title: Deyan, and self-styled title: Shi Zhenkai, Ganzhou Yicheng, Ganzhou Zhengbanqiao, graduated from the Department of Oriental Culture and Art of Nanchang University in Jiangxi Province in 1999. Student of Hailin Society in Ganzhou City, Jiangxi Province.
Since childhood, I learned calligraphy from Mr. Yuan Qingyi, a member of Jiangxi Province Calligraphers Association, and later Mr. CAI Shengtao, a member of China Calligraphers Association and a direct descendant of the royal style regular script, as my teacher. In the course of learning calligraphy, I benefited from the guidance of calligrapher Xia Yun, calligrapher Li Anhua, calligrapher Xie Wenhai, calligrapher Lin Zengguang and other teachers. I learned Chinese painting from the famous Chinese painting teacher Li Yuchun, and the oil painting creation benefited from the famous oil painting teacher Liu Pengyun.
[Employment Experience and Personal Honors]
Invigilator of National Calligraphy and Fine Arts Examination of Art Development Center of Ministry of Culture and Tourism of China
Invigilator of National Calligraphy and Fine Arts Examination for Talents of Ministry of Culture and Tourism of China
Invigilator of National Calligraphy and Fine Arts Grade Examination of Chinese Traditional Culture Promotion Association
Invigilator of Chinese Culture Promotion Association for Social art Level Examination
Member of Chinese Traditional Culture Promotion Association
Academician of the Chinese People's Academy of Painting and Calligraphy Art
Member of the calligrapher and Painter Working Committee of the New Art Group of Chinese Calligrapher and Painter Association.
Chinese People's Painting and Calligraphy Art Academy National Painting and Calligraphy Art Committee People's Artist
Visiting professor of Huaxia Guoyi
Chinese National Gift Artist
National first-class artist
Senior calligraphy teacher of Chinese Traditional Culture Promotion Association
National professional credit evaluation network database calligraphy talent senior calligraphy teacher
National Committee of Painting and Calligraphy Art
Chinese Traditional Culture Development Center
National Senior Artist Title Evaluation Committee Calligraphy (fine arts) National senior calligrapher
Excellent aesthetic education teacher of Health and Physical Education Development Center of China Working Committee for Caring for the Next Generation
Chinese Oriental Culture Research Society Social Art Professional Committee talent database for fine arts professionals
Member and deputy Secretary General of Zhanggong Calligraphers Association, Ganzhou City, Jiangxi Province
British Luya Oriental Famous Cultural Exchange Center signed artist
Member of Hong Kong International Federation of Masters and Celebrities
Member of the Hong Kong International Calligraphers Association
Executive Director, Hong Kong Artists Association
His works have been incorporated into thousands of calligraphy and painting art centers by Chinese culture
China Philatelic Publicity Center net
China Philatelic Products R&D Committee
Macao Post of China issued a stamp collection through the national name card "Prosperous China Heritage Classic" Belt and Road silver coins
Special artist of the Chinese Artist Festival
"Contemporary Calligraphers and painters" into the book of artists
He was awarded the honorary title of "Contemporary Outstanding Artist" by "Chinese Artists Ceremony".
China (Hong Kong) Artists Association, China (Hong Kong) Calligraphers Association, China Huaxia Master Calligraphy and Painting Academy, Chinese People's Academy of Calligraphy and Painting Art, Chinese Traditional Culture Development Committee and other units joint evaluation;
Honorary title of "Chinese Meritorious Artist".
He was awarded as "Outstanding Artist Selected Talent" by the program of "Cultural Power" of CCTV.
Inheritors of China's intangible cultural heritage.
The Central Executive Academy of Culture and Tourism Administration/Chinese Calligraphers and Painters Association awarded "Calligraphy and painting Senior talent".
In a painting, the technique of pen and ink is the carrier of vitality, and the schema and arrangement of the picture are the external state of strange and correct transformation. Ordinary and ordinary cannot be made positive, and no transformation cannot be made flat. The combination of strange and correct must be achieved, and the opening and closing should be appropriate. The layout of Mr. LAN Shilong's works is appropriate and ingenious. In freehand flower-and-bird painting, the point, line and surface are coordinated and unified, and the blank space and brushstroke are combined with reality. The layout is appropriate, and the arrangement of all images on the picture reflects the changes of density and tightness.
In addition to his unique artistic talent, Mr. LAN Shilong owes what he is today to his hard work. He has learned from all kinds of people and absorbed all kinds of things. He has taken the famous works of all dynasties and the explorations of other outstanding contemporary artists as examples, and he has been able to integrate the most traditional artistic factors with the current aesthetic ideal into his new personal characteristics. He not only realized the unrestrained and ancient parallelism of his flower-and-bird paintings, but also showed the face and schema of flower-and-bird paintings with ease and fluency, and could use the pen with bone method and vivid charm, thus elevating his understanding and understanding of the depth of Chinese flower-and-bird paintings to a new realm.
Any art should serve the public. A good work should be able to stand the recognition of the people, the evaluation of experts and the test of the market. At the same time, it should unify the social and economic benefits. An excellent artist should also paint more works that are popular with the public. Artists can paint according to their own pursuits or hobbies, and finally let the public judge whether they are good or bad. The true strength of the art of painting and calligraphy will profoundly affect a person's spiritual outlook. That is, the stronger the Kungfu of painting and calligraphy, the more advanced the product repair. Mr. LAN Shilong has a clear and unrestrained manner and a magnificent bearing. Behind this admirable metaphysical demeanor is the outstanding support of his deep skills in painting and calligraphy, which is the same as the spirit of Wang Weide and Su Dongpo.
(By Cao Yang, a famous painting and calligraphy critic)
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