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Born in Wu Zhong, Ningxia in the 1960s, he is currently a director of Beijing "Hanlin Academy of Painting and Calligraphy" and dean of "Starlight Painting and Calligraphy Academy" in Ningxia. He won the gold medal in the 2020 "Mo Yun Zhonghua" National Painting and Calligraphy Exhibition, and was selected in the national painting and calligraphy works selection activity. Zhong won the title of "Inheritor of National Quintessence Culture in 2020". In December 2020, he was hired by Beijing Jinghua Pavilion Painting and Calligraphy Institute as the deputy dean. He won the "Gold Award" in the 2021 "Hundred Flowers Greeting the Spring" National Painting and Calligraphy Competition.
Chinese calligraphy has been advancing with the continuous development of Chinese history, from the earliest oracle bone inscriptions to the subsequent bronze inscriptions, and then to the formation of calligraphy systems such as Xiaozhuan, official script and regular script. In each historical stage, different calligraphy habits and styles were born. The reason may be the change of dynasties or social changes. The history of Chinese calligraphy is actually a clear profile of Chinese history.
Because of this, Zhang Jizong, who loved calligraphy since his childhood, devoted himself to studying ancient rubbings, studying hard, and gradually formed his own style on the basis of ancient methods.
On the basis of small seals and hieroglyphs, Zhang Jizong wrote "Cao Quan Stele" and "Zhang Qian Stele" and other ancient posts. "Cao Quan Stele" is a representative work of the official script of the Han Dynasty. It is famous for its elegant and colorful style and neat structure. It is highly respected by calligraphers of the past dynasties. Modern calligrapher Fei Sheng contests "Cao Quan Stele": "This stele is beautiful in calligraphy, elegant and changeable. It is one of the famous Han Li-." And Zhang Jizong boldly innovated in the style of his predecessors. The calligraphy works preserve the meaning of the pictographs, and the paintings become objects and follow the body. The official script is even more advanced-Zhang Jizong's official script is beautiful and penetrating on the back of the paper, which is deeply loved by domestic and foreign calligraphy and painting lovers. His works have participated in many domestic competitions and won awards.
In March 2015, Zhang Jizong was invited to participate in the "Chinese Mao Zedong Poems and Calligraphy Works Exhibition" and won the third prize and was awarded the title of "Calligraphy Artist". In May 2015, Zhang Jizong won the first prize in the "Blood Casting Monument" National Calligraphy and Painting Competition. Was awarded the title of "China's Top 100 Calligraphy and Painting Masters". In July 2015, Zhang Jizong won the second prize of the competition with his exquisite calligraphy skills and was awarded the "People's Calligraphy Artist" in the "National Calligraphy Competition for Commemorating the 70th Anniversary of the Publication of Mao Zedong's Poetry "Qinyuanchun Snow)" "Title. In August of the same year, in the "Peace to China" National Art Calligraphy and Calligraphy Invitational Competition, Zhang Jizong won the-prize. In August 2016, Zhang Jizong won the "Tengwangge Cup" National Tenth--The National Literary and Art Grand Prix Prize. He has studied calligraphy since he was a child. With his diligence, perseverance and perseverance, Mr. Zhang has won recognition from industry experts and calligraphy enthusiasts. These awards are the result of his own efforts. What's more rare is that the content of the works he chose, all-does not reveal a strong sense of national pride and patriotism. He is worthy of the title of "People's Calligraphy Artist".
In traditional art, the field of calligraphy pays special attention to inheritance. The ancient post has a long history and is a treasure handed down by ancient scholars or calligraphers. It has a very high artistic standard. Zhang Jizong has been working hard on famous monuments and posts for a long time, assimilating learning and innovation. For him, in addition to his preference for ancient calligraphy, Teacher Zhang feels that as a calligrapher, he has the responsibility to inherit ancient calligraphy and traditional calligraphy. "A cup of tea in the bright moon, and thousands of books in the breeze"! Writing day after day, year after year-year after year, this kind of life may seem a little boring to others. But Zhang Jizong is always happy, and love can last for a long time. Between pen and ink, it is his freehand life.
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